- Introduction
- Photographs of Contemporary Iran--Abdi Sami
- Photographs of Historical Sites in Iran
- Facts and Figures on Contemporary Iran
- UNESCO Heritage Sites in Iran
- History
- Maps of Iran
- Iranian Literature
- Classical Literature
- Contemporary Iranian Poetry
- Rira Abbasi
- Shahnaz A'lami
- Manouchehr Atashi
- Simin Behbahani
- Houshang Ebtehaj
- Zhaleh Esfahani
- Parvin E'tesami
- Forough Farrokhzad
- Bijan Jalali
- Sheema Kalbasi
- Siavash Kasraie
- Mahmud Kianush
- Fereydoon Moshiri
- Hafez Mousavi
- Nader Naderpour
- Yadollah Royai
- Mehdi Akhavan Sales
- Sohrab Sepehri
- Abmad Shamlou
- Sholeh Wolpé
- Nima Yushij
- The Iranian Reader--Fiction
- Reza Jula'i (Short Story) The Night Shift
- Reza Jula'i (Short Story) The End of Remembrance
- Marsha Mehran (Excerpt from Novel) Rosewater and Soda Bread
- Morteza Miraftabi (Short Story) The Acquaintance
- Morteza Miraftabi (Short Storty) The Planter in a City Window
- Gina B. Nahai (Excerpt from Novel) Caspain Rain
- Gina Nahai (Excerpt from Novel) Moonlight on the Avenue of Faith
- Shahrnush Parsipur (Short Story)The Gentlemen
- The Iran Reader--Non-Fiction
- Davar Ardalan's My Name is Iran
- Firoozeh Dumas's Funny in Farsi
- Shirin Ebadi's Iran Awakening
- Shirin Ebadi Nobel Prize Speech
- Roya. Hakakian Journey from the Land of No
- Shahriar Mandanipour (Essay) Wheatfields or Apple Orchards
- Azar Nafisi Things I've Been Silent About: Memories
- Azar Nafisi Reading Loita in Tehran
- Monir Shahroudy Farmanfarmaian and Zara Houshmand A Mirror Garden
- Iranian Proverbs
- Contemporary Iranian Art
- Persian Music
- Iran and Cartoons
- Teaching and Learning about Iran
- Lesson : The Persepolis Archive (World Savvy Monitor)
- Lesson: The Legal Battle Over the Persepolis Archives (World Savvy Monitor)
- Lesson: The Iranian Youth Bulge (World Savvy Monitor)
- Lesson: Bridge to Iran (Link TV: Television without Borders)
- Lesson: Current Background on Iran (Teachable Moment)
- Lesson: Iran and the U.S. (Teachable Moment)
- Lesson: The Bush Administration Iranian Policy (Teachable Moment)
- Lesson: Iran's Nuclear Program (Teachable Moment)
- Lesson: Nuclear Weapons Complications (Teachable Moment)
- Lesson: Turmoil in Tehran (Teachable Moment)
- Lesson: Crackdown on Demonstrators (Teachable Moment)
- Annotated Bibliography
- Films and Documentaries
- Recommended Internet Sites
- Iran: YouTube Presentations Worth Seeing
Seda: Voices of Iran

Iranian women warriors
It is only our voice that shall remain of us.
Tanha Sedast ke meemanad.
The name we have chosen for our curriculum on Iran is Seda. In Farsi, it means both voice and sound.
The contemporary Iranian poet Forough Farrokhzad , translated here by Sholeh Wolpe, offers us insight into the importance of voice, reflection and commitment to continue to work for the future.
Only Voice Remains
Forugh Farrokhzad
Why should I stop, why?
Birds have gone to seek their blue way.The horizon is horizontal,movement vertical—a gushing geyser.Bright stars spin as far as the eye can see.
The Earth repeats itself in space, air tunnelsbecome connecting canals and day changesto an entity so vast it cannot be stuffedinto the narrow imaginations of the newspaper worms.
Why should I stop?
The path meanders among life’s tiny veinsand the climate of the moon’s womb will annihilatethe cancerous cells, and in the chemical aura of after-dawnthere will remain only voice-- voice seeping into time.
Why should I stop?
What is a swamp but a spawning groundfor corruption’s vermin?Swelled corpses pen the morgue’s thoughts,the cad hides his yellowness in the dark,and the cockroach… ah when the cockroach harangues,
why should I stop?
Printer’s lead letters line up in vain.Lead letters in league cannot salvage petty thoughts.My essence is of trees; breathing stale air depresses me.A bird long dead counseled me to remember flight. Fusion creates the greatest force—fusion with the sun’s luminescent soul,comprehension flooding with light.Windmills eventually warp and rot.Why should I stop?I hold to my breasts sheaves of unripe wheatand give them milk.
Voice, voice, only voice.The water’s voice, its wish to flow,the starlight’s voice pouring upon the earth’s female form,the voice of the egg in the womb congealing into sense,the clotting together of love’s minds. Voice, voice, voice, only voice remains.In a world of runts,measurements orbit around zero.Why must I stop? The four elements alone rule me;my heart’s charter cannot be draftedby the provincial government of the blind.What have I to do with the long feral howlsof the beasts’ genitals?What have I to do with the slow progressof a maggot through flesh?
It’s the flowers’ bloodstained history that has committed me to life,the flowers’ bloodstained history, you hear?
Translation: Sholeh Wolpe









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